Virginia Woolf: A Mind of Her Own
Virginia Woolf: A Mind of Her Own Her life from Kensington and Cornwall to Bloomsbury and Sussex
Virginia Woolf: A Mind of Her Own Her life from Kensington and Cornwall to Bloomsbury and Sussex
No time for thinking: does this observation, nearly two hundred years ago, still hold? On the restless impatience of American society, among both commentators and their public. Men who live in ages of equality have a great deal of curiosity and little leisure; their life is so practical, so confused, so excited, so active, that but [...]
Education is useless (or rather: is education useless?): a neighborly discussion about what’s worth learning, and where one should learn what's needed -- or useful -- for life. Crimpet: Hello, neighbor. Crumpet: Why are you so happy, Crimpet? You look like you won the office pool. Crimpet: Nothing as wonderful as that. But I’m glad to [...]
Civilization's tricky situation: as we enter the autumnal season, the shadow self would be heard, as the gateway to introspection. Here history and imagination are in play. The so-called civilized man has forgotten the trickster. He remembers him only figuratively and metaphorically, when, irritated by his own ineptitude, he speaks of fate playing tricks on him [...]
The arts of medicine: for those in the healing field, knowing their patients requires more than the natural sciences. From the article: "[T]oday’s medical curriculum teaches new doctors about culture and communication. It is no longer good enough – and probably never was – for a doctor to simply know the appropriate medication to prescribe or diagnostic test [...]
Has the age of the encyclopedic excellence passed us by, or can (or should) it be revived? The author praises the eleventh edition of the Encyclopedia Brittanica (1910-11) as "the last great encyclopedia." From the editorial: Its greatness derived not alone from its contributors or its organization but from the spirit infusing it. This spirit [...]
An encounter with Renaissance art, and its consequence: Boris Pasternak reflects on culture and individual genius. The chief thing that everyone carries away from an encounter with Italian art is the sensation of the tangible unity of our culture, whatever he may have seen this in, and whatever name he may give it. How much [...]
Where it's at: or better, where "at" (@) has been. What is modern is ancient, if we should notice. From the article: "The earliest yet discovered reference to the @ symbol is a religious one. It features in a 1345 Bulgarian translation of a Greek chronicle. Held today in the Vatican Apostolic Library, it features the @ [...]
Judgments about the arts: mind what you put in! Ben Jonson tells his audience how much they may assess what they see, depending on their means: It is further agreed that every person here have his or their free-will of censure, to like or dislike at their own charge, the playwright having now departed with [...]
Gambling on the meaning of nothing: how much do we really understand one another, even as friends? Minaccio, a witty man and a gambler, once lost his cash and his coat, too, playing at dice (he was truly poor), and sat weeping at the doorway of the tavern. A friend saw him distraught and in [...]